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| DB: |
Good
evening and welcome to History Today. Tonight's topic, a most
exciting topic if I may say, is the Enclosures Act and its affects on English
rural populations. Professor Lewis, I wonder if you would agree that the
most perspective analysis of 14th Century culture may be garnered from the
literature of the time. Langland, Bunyan and specifically Chaucer. |
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| RN: |
{speaks
in Latin} |
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| DB: |
Indeed.
And how exactly would you interpret this piece? |
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| RN: |
That's
how your Mum talks. She's got a bit missing from her mouth. It's a tragedy. |
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| DB: |
I
see. See one of those boxes with a drawing of a cow on it and when you turn
it upside down it goes 'moo'? |
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| RN: |
moo? |
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| DB: |
Yes, moo.
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| RN: |
I
have observed the novelty item. |
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| DB: |
That's your
stereo, that is. That's your state-of-the-art Hitachi.
See that
Matt Monroe?
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| RN: |
No,
I've never heard of him and no-one knows or cares who he is. |
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| DB: |
Yes,
that's you, that is. |
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| RN: |
You
know when you walk into a field and you tread in a cowpat and then immediately
with the other foot you tread in another cowpat? |
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| DB: |
So
I am effectively at this stage standing in two piles of cack? |
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| RN: |
Up
to the ankles. |
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| DB: |
I
have heard talk of the experience. |
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| RN: |
That's
your new trainers, that is. That's your 100 pound Reeboks. |
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| DB: |
Professor
Lewis, do you see that woman at the back of the television theatre? |
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| RN: |
Do
you mean right at the very, very back wall of the entire studio? |
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| DB: |
Yes,
from here she is a barely distinguishable speck. |
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| RN: |
I
can just, just make her out. |
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| DB: |
That's the
nearest you've ever come to getting off with a girl.
So I don't
think anyone can be in any doubt that tonight myself and Professor F.J
Lewis have had a most valid and rich and incisive debate. Professor F.J
Lewis, thankyou very much.
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| RN: |
{making
kissing sounds to woman at back of studio} Oh, thankyou. |